By
Yara Boustany
With
Michael Castalan, Alexandre Habre, Aymeric Lorthiois, Yara Boustany
Dramaturgy
Racha Baroud
Sound Designer
Jad Atoui
Lighting Designer
Riccardo Clementi
Set Designer Assistant
Lori Kharpoutlian
Technical Support
Farah Naboulsi
28.–30.8.
Arabic & English with German translation
23.8. | Workshop in cooperation with Tanzfabrik Berlin
29.8. ● Beyond the Stage
Age recommendation: 12 years
Duration 0 h 50 min
Beirut is a city that has been destroyed many times and always rises again. Choreographer Yara Boustany believes it holds a special strength – a quiet force that never disappears. In her piece “The Valley of Sleep”, she uses dreams, rituals and images to show this power. Through a timeless dance, she connects the past and the present.
Beirut is a city that has crumbled and risen from its ruins time and again. Yara Boustany believes it holds a rare resilience – a quiet force that defies destruction, inscribed in its walls and in the breath of its people which Boustany investigates in “The Valley of Sleep”. To describe the forces that lie hidden in Beirut, she draws on the symbolism of the djinn. She collects dreams, images, symbols and rituals as forms of collective imagination, and weaves them to connect past and present through a timeless dance.
Tickets
Full 17 €
Reduced 13 €
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Artist's Note by Yara Boustany
“Shaken by relentless turbulence, Beirut staggers through endless cycles of destruction and regeneration. Where does this force come from—the one that pushes us to resurface, again and again, to breathe despite the chaos? How can a society so contradictory and fragile endure so many blows and still rise, time after time? Beneath the city, invisible entities awaken. They weave the forces of resilience that shape this tormented land—eroded over centuries—into something far more captivating than its visible scars suggest. The Valley of Sleep is a portrait of this hidden dimension, a space between the sensory and the metaphysical, where different forms of existence intertwine. In this "in-between," reality itself bends, logic dissolves, and incomprehensible forces breathe vital energy into the city's daily life—restoring balance and harmony in a world of constant flux.
This performance is freely inspired by the painting The Jinn in Love by Egyptian artist Abdel Hadi Al Gazzar. I draw from the symbolism of the Jinn to imagine the powerful forces concealed within Beirut—forces that allow it to rise, to persist against all odds, even in the most absurd circumstances. I am in constant pursuit of the resilient spirit that lies just beneath, alongside, and at the core of "real life"—its effects on society and the human condition.
I believe cities carry a unique charge. They hold layers of memory both in their essence and in their lived experience—especially Beirut, a city that has been destroyed and rebuilt countless times and is once again facing a brutal war, forced to keep its dormant energies alive in order to recreate itself over and over. To me, this charge is audible in the song of a sparrow, inscribed on the walls, flowing through the impossible knots of electrical wires, or perched on the antennas of buildings. I constantly seek to materialize this enduring spirit and my dialogue with it. This enchantment is my way of resisting—of accepting that my world is constantly shaken, bombed, endlessly destroyed, and unjustly demolished. And in this way, I find strength and compose within the ruins of my existence.
For this reason, in a broader sense, the performance explores the contemporary collective unconscious. By weaving together, the shared imagination of a community—gathering dreams, images, symbols, recurring thoughts, and absurd rituals—I attempt to link the past to the future in a collective, sensory, and timeless dance.”
— Yara Boustany
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On 23.8. will take place the workshop “Imaginary Bodies” with Yara Boustany.
Further information can be found here.
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